Introduction

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On the set of A Demon in My View
Photo by Deborah Beer
The cinemagoer or theatre audience might not know why a particular character didn't "work" – but they wouldn't fail to notice that something was very unconvincing about the actor's performance. If the accent is right, it is barely noticeable to the public: many people assume that it is the actor's own accent, until they later hear an interview with the actor or see the actor playing another role – in another, equally convincing accent.

Great pains are taken by those responsible for, for example, costume for horses or furnishing, to make them seem absolutely authentic, whether it be for 18th century China or 20th century Australia; or New York State in the present. Not bothering to achieve an authentic accent renders pointless all other efforts made in establishing the "flavour" of the area or time.

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On the set of Mansfield Park
Photo by Clive Coote

Most of us are unaware of the hundreds of small details which are the result of our lives to date: we are influenced by the place where we grew up; our parents' accent; peer groups; teachers and professors; colleagues and friends. Then there are those incidental influences such as when a South African marries someone from, say, the West Country in England. Each would speak English and might, slowly, borrow from each other's speech idiosyncrasies, creating, over time a kind of hybrid accent.

 

 




 
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